I came to that realization early this year...It was my motto. I picked it from an Art history class; my teacher said that it was one of Andy Warhol's catchphrases. To understand Warhol is to understand contemporary culture, consumes, the culture of the image. "He was a very vulnerable person" my teacher said. "That's why he used a hairpiece and speak funny", added. Warhol is the incarnation of "pop"; he made a celebrity out of himself, a lie that everyone was comfortable with. Just like those prefabricated boy bands, contemporary divas, sodas and products.In a moment, I realized I was just like any of those. "The Prince" is the smartest boy in college, he is so noble, so pure, well behaved, gentle, responsible, talented...That's the way most people see me. That's my "alternate" identity.I started questioning myself after a huge creative dry I had at the beginning of the year. I didn't feel smart, talented, responsible...The idea of "The Prince" collapsed...well, at least just for me. But at some point, I stopped caring about it. Do I have to live up to that idea? Why it is wrong that people sees you in a way that you're not? Who’s the real one? I always say: as long as none gets hurt, there's no problem with it.It's not like I act out...or tell lies...When I was at genius school they said that intelligence is an "intended adaptive capacity" and I think I've taken that definition to build my relationships with the world. It works for me...Now that I remember, it was that Warhol period one of the main reasons I ended up in vampire freaks, to create an idea of myself, to make the pictures say something for me that I can't say. I am SO not being fake with Xag, but I'm just not used to open up to other people. I'm just afraid that after discovering me, they have me at their hands...and that way they have a right to reject me. Something like it happened with my female friends at college I told them some of my most important things, I told one of them that I am BL, but at the next day...it was like nothing...they didn't deserve to know, I'm regret. (Bitches)More than anyone on this earth, Xag deserves to know how I am...
Saturday, November 26, 2011
Tuesday, November 22, 2011
Let me fall
Sunday, August 28, 2011
I’m considering suicide
Wednesday, August 17, 2011
Tuesday, July 5, 2011
There are some perks to living in a warzone...
Saturday, May 21, 2011
On my knees
Saturday, December 25, 2010
Christmas is a stupid holiday
Tuesday, October 5, 2010
I just want to sit down and cry
Wednesday, May 19, 2010
Bang bang!
"depressed . . . without phone . . . money for rent . . . money for child support . . . money for debts . . . money!!! . . . I am haunted by the vivid memories of killings & corpses & anger & pain . . . of starving or wounded children, of trigger-happy madmen, often police, of killer executioners . . ." - Kevin Carter
Thursday, April 15, 2010
Grated Carrot
Grated Carrot
The first suicide is unique.
They always ask you if it was an accident
or a sincere proposition of death.
They shove a tube up your nose,
hard,
it hurts,
and you learn to not disturb the neighbors.
When you begin to explain that
death-actually-seemed-like-the-only-way-out
or that you did it
to-fuck-up-your-husband-and-your-family
they have all turned their backs
and are watching the transparent tube,
retrieving the parade of your last supper.
Betting on whether its noodles or fried rice.
The doctor on duty coldly tells them:
it’s grated carrot.
“Disgusting,“ says the nurse with big lips.
They disposed of me furiously
because no one won the bet.
The saline dispersed quickly
and ten minutes later,
I was back at my house.
No space to mourn
nor time to feel cold and tremble.
People are unconcerned with death that comes from loving too much.
Child’s play
they say
as if children killed themselves every day.
I looked in Hammett for this exact page:
never tell a word about your life
in any book,
if you can help it.
Miyo Vestrini, died by suicide on November 29, 1991, at 53. Cut her veins.
Thursday, January 8, 2009
Inexpressibly Melancholic
The desire to rid himself of depression—and the loneliness, the despair, and the fears that were part of it—was the most powerful force that motivated Vincent to become an artist and incited the intense energy that was so vital to this end. His pictures became his companions, his mistresses, and his children. "The work is an absolute necessity for me," he wrote. "I can't put it off, I don't care for anything but the work; that is to say, the pleasure in something else ceases at once, and I become melancholic when I can't go on with my work." He observed at another time that hard work was the way to avoid "that melancholic staring into the abyss." "I feel inexpressibly melancholic without my work to distract me, as you will understand, and I must work and work with facility. I must forget myself in my work, otherwise it will crush me."
- Vincent Van Gogh (Found on: Stranger on the earth; a psychological biography of Vincent van Gogh by Lubin, Albert J - Page 22. )












